空间通过人的行为参与而被激活，材质通过表演艺术的肢体关系也同样被唤醒，各种材质本身是有一定的生命特性，无形的表演艺术轨迹将空间的各个部分串联起来，观赏者的体验方式更像是参加一场舞台剧，聚光灯在材质与表演者身上被点亮，顿时间空间是凝固的，空间中的雕塑和装置与表演者的肢体形成了互动关系。观赏者可以游走在空间中，也可以在入口的台阶上感受改变常规视角后的空间体验感，这是平行视角无法感受的。对于身体力量关系是空间戏剧化的无穷无尽的来源，同时一直在寻找放大物理现象的装置。这是一个寻找生命的过程，一个永久的创造过程，并且尝试接近一个悬浮点。所有这些都是从不同领域提供灵感：歌剧、电影、音乐、音乐会、戏剧、马戏团等。这些不同形式的积累探索也表达对拥抱和体验生活的渴望。

Space is activated through human behavior participation, and materials are also awakened through the physical relationships of performing arts. Various materials themselves have certain life characteristics, and the intangible trajectory of performing arts connects various parts of the space. The experience of the viewer is more like participating in a stage play, and the spotlight is lit on the materials and performers, making time and space solidified, The sculptures and installations in the space form an interactive relationship with the performers' limbs. Viewers can swim in the space or experience the spatial experience of changing the conventional perspective on the steps at the entrance, which cannot be felt from a parallel perspective. The relationship between physical strength is an endless source of spatial drama, and we have been searching for devices to amplify physical phenomena. This is a process of searching for life, a permanent creative process, and attempting to approach a floating point. All of these provide inspiration from different fields: opera, movies, music, concerts, dramas, circuses, etc. These different forms of accumulated exploration also express a desire to embrace and experience life.